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On this year’s The Midnight Life, Quik built beats around banjo licks and train noises that threatened to out-funk his former collaborator Dre, and "Pet Sematary" was a perfect lead single. rapper and producer DJ Quik creates detailed, sometimes fussy, and often eccentric music that manages to retain an acute pop sensibility and, more importantly, an incorruptible smoothness-call him hip-hop’s Todd Rundgren. Illuminating and impertinent, "Advice to Young Girls" is a rallying cry for this perpetually plugged-in age Copeland's vision of a street-sweeping girl-gang might not roll down your street anytime soon but, in 2014, it was never more than a hashtag away. -Paul Thompson The cracked utopia that "Advice" imagines is one in which young women are free to do as they please, to redraw the boundaries of a society that so often seems to be walling them in. Besides, Copeland's deadpan vocals and the track's digitized porch-rocker creak don't exactly scream "meatspace" rather, Copeland's sage entreaties-"there will be all these things," she promises, "for you to discover and claim"-float through the laptop speakers like 140 character-hits of strength and solidarity. While Inga Copeland's masterful "Advice to Young Girls"-her Because I'm Worth It collaboration with fellow UK deconstructionist Actress-urges young women to slip past their parents and band together in the streets, it's likely that most anybody who's heard the lurching, dimly lit song did so in isolation that's just how we hear things these days. Surely among the most heartening developments of an otherwise dismal 2014 was the continued rise of social media as a gathering spot for long-marginalized groups to make themselves heard.
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Listening to Merchandise’s '80s-indebted rock, the centuries-seeped tradition of Southern Gothic seems like the last thing on anyone’s mind, and yet, "Green Lady" represents a canon revitalized, a shadowy spectacle of faith and violence captured under an emerald lens. -Zoe Camp As Carson Cox lies hydrated but agonizing in an insane asylum ("They threw me in the nut house/ Distracting me with coffee and tea"), his titular love-epithetic of absinthe, of course, but also addiction and madness as a whole-remains at large, flaunting her criminal allure against a backdrop of shimmering, simmering guitars. Given the ballad’s lush trappings, a more appropriate title would have been "Green Monster"-every sweep across the fretboard feels monumental, and every chord change the crossing of a chasm (despite the simpering synths). A fever dream of grandstanding stadium rock, woodblock drum machines, and a turbulent opening passage reminiscent of THX’s infamous, childhood-scarring Deep Note, "Green Lady" marks the completion of Merchandise’s metamorphosis from moody Floridian punks to bona fide New Romantic revivalists.